Today, I am halfway through my year-long #StillStanding project. Not so much has changed since I summed up the first 100 days. I still enjoy the experience, and there are new things to learn every day. Here is a 10-minute video I have recorded that presents the project, explains its rationale, and reflects upon some experiences so far: The biggest challenge moving forward is finding new spaces every day. I have already stood in the most accessible spaces, so I need to spend more time looking for unexplored rooms both at the university and close to my home.

Today marks the 100th day of my annual #StillStanding project. In this blog post, I summarize some of my experiences so far. Endurance Some people questioned whether I would be able to stand still every single day for an entire year. But, hey, it is only ten minutes (out of 1440) per day, and even though my life as a centre director is busy, it is always possible to find time for a standstill sometime during the day.

I wrote up the final report on the project MICRO - Human Bodily Micromotion in Music Perception and Interaction before Christmas. Now I finally got around to wrapping up the project pages. With the touch of a button, the project’s web page now says “completed”. But even though the project is formally over, its results will live on. Aims and objectives The MICRO project sought to investigate the close relationships between musical sound and human bodily micromotion.

After several years of hard work, we are very happy to announce a new publication coming out of the MICRO project that I am leading: Headphones or Speakers? An Exploratory Study of Their Effects on Spontaneous Body Movement to Rhythmic Music (Frontiers Psychology). This is the first journal article of my PhD student Agata Zelechowska, and it reports on a standstill study conducted a couple of years ago. It is slightly different than the paradigm we have used for the Championships of Standstill.

I am happy to announce a new journal article coming out of the MICRO project: Victor E. Gonzalez-Sanchez, Agata Zelechowska and Alexander Refsum Jensenius Correspondences Between Music and Involuntary Human Micromotion During Standstill Front. Psychol., 07 August 2018 | https://doi.org/10.3389/fpsyg.2018.01382 Abstract: The relationships between human body motion and music have been the focus of several studies characterizing the correspondence between voluntary motion and various sound features. The study of involuntary movement to music, however, is still scarce.

I am happy to announce a new book chapter based on the artistic-scientific research in the Sverm and MICRO projects. {.csl-bib-body} {.csl-entry} Citation: Jensenius, A. R. (2017). Sonic Microinteraction in “the Air.” In M. Lesaffre, P.-J. Maes, & M. Leman (Eds.), The Routledge Companion to Embodied Music Interaction (pp. 431–439). New York: Routledge. {.csl-entry} {.csl-entry} Abstract: This chapter looks at some of the principles involved in developing conceptual methods and technological systems concerning sonic microinteraction, a type of interaction with sounds that is generated by bodily motion at a very small scale.

{.alignright .wp-image-2617 .size-medium width=“197” height=“300”}I am happy to announce the publication of a new anthology that I have contributed a chapter to: Jensenius, A. R. (2017). Exploring music-related micromotion. In C. Wöllner (Ed.), Body, Sound and Space in Music and Beyond: Multimodal Explorations (pp. 29–48). Routledge. The chapter does not have an abstract, but the opening paragraph summarizes the content quite well: As living human beings we are constantly in motion.

I am happy to announce that I have received funding from the Norwegian Research Council’s program Young Research Talents for the project: MICRO - Human Bodily Micromotion in Music Perception and Interaction. This is a 4-year long project and I will be looking for both a PhD and postdoctoral fellow to join the team. The call will be out later this year, but please do not hesitate to contact me right if you are interested.

This week I am participating at the NIME conference (New Interfaces for Musical Expression), organised at Louisiana State University, Baton Rouge, LA. I am doing some administrative work as chair of the NIME steering committee, and I was happy to present a paper yesterday: Title Microinteraction in Music/Dance Performance Abstract This paper presents the scientific-artistic project Sverm, which has focused on the use of micromotion and microsound in artistic practice. Starting from standing still in silence, the artists involved have developed conceptual and experiential knowledge of microactions, microsounds and the possibilities of microinteracting with light and sound.