Yesterday, I completed my 365 Sound Actions project, during which I recorded one sound action per day as part of preparing for the launch of my book Sound Actions. Today, on 1 January 2023, I start this year’s project: recording myself standing still 10 minutes every day. You can follow the progress on Mastodon. Starting up AMBIENT Although I am happy about completing my sound actions project, I have enjoyed the ritual of doing something every day.

1 January this year, I set out to record one sound action per day. The idea was to test out the action–sound theory from my book Sound Actions. One thing is writing about action–sound couplings and mappings, another is to see how the theory works with real-world examples. As I commented on after one month, the project has been both challenging and inspiring. Below I write about some of my experiences but first, here is the complete list:

I came across an interesting blog post by Alex Chen on how to write better image descriptions for web pages. They propose an “object-action-context” approach when writing image descriptions. I see that such an approach could also be helpful for my sound actions project. Adding better descriptions I am soon getting to the end of my year-long project of recording one sound action daily. A sound action is a multimodal entity consisting of body motion and its resultant sound.

Last week, my book was published by the MIT Press, and I am happy to announce that the source code is available on GitHub. Most people are probably mainly interested in the content of the book. If so, you should grab a free copy of the final version. This blog post explains why I have made the source code available. License I was fortunate to secure funding from the University of Oslo to make the book freely available, what is often referred to as Open Access.

There has been much discussion about ChatGPT recently, a chat robot that can write meaningful answers to questions. I haven’t had time to test it out properly, and it was unavailable when I wanted to check it today. Instead, I have played around with YouWrite, a service that can write text based on limited input. I thought it would be interesting to ask it to write about something I know well, so I asked it to write a text based on an abbreviated version of the abstract of my new book:

I am happy to announce that my book Sound Actions - Conceptualizing Musical Instruments is now published! I am also thrilled that this is an open access book, meaning that is free to download and read. You are, of course, also welcome to pick up a paper copy! Here is a quick video summary of the book’s content: In the book, I combine perspectives from embodied music cognition and interactive music technology.

Today, I recorded Sound Action 194 - Rolling Dice as part of my year-long sound action project. The idea has been to do as little processing as possible to the recordings. That is because I want to capture sounds and actions as naturally as possible. The recorded files will also serve as source material for both scientific and artistic explorations later. For that reason, I only trim the recordings non-destructively using FFmpeg.

One month has passed of the year and my sound action project. I didn’t know how it would develop when I started and have found it both challenging and inspiring. It has also engaged people around me more than I had expected. Each day I upload one new video recording to YouTube and post a link on Twitter. If you want to look at the whole collection, it is probably better to check out this playlist:

Over the last few years, I have worked on a book project with the working title Sound Actions. The manuscript has been through peer reviewing and several rounds of editing and will be published by The MIT Press sometime in 2022. Action-Sound Couplings and Mappings The book is based on the action-sound theory I developed as part of my dissertation. My main point is that we experience the world through action-sound couplings and mappings.

Ever since I finished my dissertation in 2007, I have thought about writing it up as a book. Parts of the dissertation were translated and extended in the Norwegian-language textbook Musikk og bevegelse (which, by the way, is out of print but freely available as an ebook). That book focused primarily on music-related body motion and was written for the course MUS2006 at the University of Oslo. However, my action-sound theory was only partially mentioned and never properly presented in a book format.

My dissertation came from the printing company yesterday. Here’s a picture of some of them: It feels a bit weird to see the final book lying there, being the result of a year of planning and three years of hard work. I wrote most of it last spring, submitting the manuscript in July. Now, about half a year later, I have a much more distant relationship to the whole thing. Seeing the final result is comforting, but it is also sad to let go.