Yesterday, I completed my year-long StillStanding project. This was my second year-long project. In 2022, I recorded one sound action daily. When I reached the end of 2022, I found it to be an efficient way of collecting data. My 2023 project confirmed this belief, so I am inspired to try another year-long experiment. Focusing on AMBIENT I will spend the coming month completing the Still Standing manuscript. I am saying this loud now to put pressure on myself and help the world understand why I must focus on writing.

I have been running Python-based Jupyter Notebooks for some time but never thought about using environments before quite recently. I have heard people talking about environments, but I didn’t understand why I would need it. Two days ago, I tried to upgrade to the latest version of the Musical Gestures Toolbox for Python and got stuck in a dependency nightmare. I tried to upgrade one of the packages that choked, but that only led to other packages breaking.

Today, I stood still in a meeting room with an oddly ticking clock. This was part of my annual #StillStanding project which is documented on my Mastodon channel. There was nothing special about today’s session but the clock. The meeting room was furnished with a large table in the middle, a screen on the wall, and glass walls on both sides. The large ventilation system led to a noticeable low-frequency “hum” dominating the soundscape.

Yesterday, I completed my 365 Sound Actions project, during which I recorded one sound action per day as part of preparing for the launch of my book Sound Actions. Today, on 1 January 2023, I start this year’s project: recording myself standing still 10 minutes every day. You can follow the progress on Mastodon. Starting up AMBIENT Although I am happy about completing my sound actions project, I have enjoyed the ritual of doing something every day.

1 January this year, I set out to record one sound action per day. The idea was to test out the action–sound theory from my book Sound Actions. One thing is writing about action–sound couplings and mappings, another is to see how the theory works with real-world examples. As I commented on after one month, the project has been both challenging and inspiring. Below I write about some of my experiences but first, here is the complete list:

I wrote up the final report on the project MICRO - Human Bodily Micromotion in Music Perception and Interaction before Christmas. Now I finally got around to wrapping up the project pages. With the touch of a button, the project’s web page now says “completed”. But even though the project is formally over, its results will live on. Aims and objectives The MICRO project sought to investigate the close relationships between musical sound and human bodily micromotion.

Like many others, I bought a kayak during the pandemic, and I have had many nice trips in the Oslo fiord over the last year. Working at RITMO, I think a lot about rhythm these days, and the rhythmic nature of kayaking made me curious to investigate the pattern a little more. Capturing kayaking motion My spontaneous investigations into kayak motion began with simply recording a short video of myself kayaking.

I came across a very interesting study on the Rhythmic swaying induced by sound in chimpanzees. The authors have shared the videos recorded in the study (Open Research is great!), so I was eager to try out some analyses with the Musical Gestures Toolbox for Matlab. Here is an example of one of the videos from the collection: The video quality is not very good, so I had my doubts about what I could find.

Researchers from AIST have released an open database of dance videos, and I got very excited to try out some visualization methods on some of the files. This was also a good chance to test out some new functionality in the Musical Gestures Toolbox for Matlab that we are developing at RITMO. The AIST collection contains a number of videos. I selected one hip-hop dance video based on a very steady rhythmic pattern, and a contemporary dance video that is more fluid in both motion and music.

I am happy to announce that RITMO Centre for Interdisciplinary Studies in Rhythm, Time, and Motion officially started last week. This is a new centre of excellence funding by the Research Council of Norway. Even though we have formally taken off, this mainly means that the management group has started to work. Establishing a centre with 50-60 researchers is not done in a few days, so we will more or less spend the coming year to get up to speed.

I am happy to announce that the Research Council of Norway has awarded funding to establish RITMO Centre of Excellence for Interdisciplinary Studies in Rhythm, Time and Motion. The centre is a collaboration between Departments of Musicology, Psychology and Informatics at University of Oslo. Project summary Rhythm is omnipresent in human life, as we walk, talk, dance and play; as we tell stories about our past; and as we predict the future.