Musicking Technology

This text was written for the festschrift for the symposium on 6 September 2024 celebrating Marc Leman’s achievements as professor of Ghent University and marking his retirement. In his seminal book Embodied Music Cognition and Mediation Technology, Marc Leman (2008) drew up a theoretical framework that has influenced a whole new generation of researchers, myself included. Building on a long tradition of systematic musicology, combined with ecological psychology and modern technology, he convincingly set the direction for a fresh approach to scientific studies of musical experiences. In the following, I will reflect on some concepts raised in his discussion and also point out some that he did not address completely, but that have been left for others, like myself, to explore in more details. ...

One of the conclusions in my book Sound Actions is that the future of music technologies lie in musicking technologies. The term “music technology” is typically used to describe tools, instruments, and systems used to create, produce, record, and distribute music. This includes everything from microphones, digital audio workstations (DAWs), and synthesizers to streaming services and analysis tools. I think of “musicking technology” as a wider term than music technology. It builds on Christopher Small’s concept of “musicking” as the act of taking part in music-making of any kind. It also focuses on music as an active process, not a thing. ...