Creativity

Yesterday, I wrote about the history and future of AI in general. Today, I am continuing my explorations by examining the role of AI in the arts and the impact of the arts on AI. The exploration is based on this notebook, with 60 sources collected by NotebookLM. AI in the Arts AI has a multi-generational history in the arts, transitioning from centuries-old mechanical automatons to symbolic rule-making and eventually to deep learning-based approaches. In the following, I will go through some of the works picked out by NotebookLM. Some of them I know well, others I hadn’t heard about before. A complete list of detected works is at the end of the post. ...

Several people have asked about the story behind our name, MishMash. Some also wonder whether it is an acronym for something. It is not; we are thinking about it as a descriptive part of our full centre name: “MishMash Centre for AI and Creativity”. I can reveal that the name has been heavily discussed in our consortium from the beginning of our application process. If I recall correctly, it first appeared during a conversation with my colleague Ragnhild Brøvig in late April last year. We had to submit a sketch of our application ideas to the Faculty of Humanities and had to come up with a title. Our thoughts were scattered, and we still did not have a clear idea of how to structure things; it all felt like a “mishmash”. We kept it as a working title and even included it in the sketch we submitted to the Research Council of Norway in June last year. ...

Yesterday, we learned that MishMash has been funded. Many people are asking about our plans, so here is a quick overview based on those outlined in the application. What? MishMash will be a large Norwegian centre dedicated to exploring the intersection of AI and creativity. Our primary objective is to create, explore, and reflect on AI for, through, and in creative practices. We will investigate AI’s impact on creative processes, develop innovative CoCreative AI systems, and address AI’s ethical, cultural, and societal implications in creative domains. ...

Yesterday, I received a brief phone call from the Research Council of Norway, where I was asked to come to UiO’s University Library today. The very pleasant message was that our bid for a Norwegian AI centre had been selected by the committee: MishMash Centre for AI and Creativity will be a reality! Today’s press release was a high-profile event with both the Norwegian Prime Minister, Jonas Gahr Støre, and Minister of Research and Higher Education, Sigrun Aasland, present. ...

Kristina Socanski Celik touched upon the relationship between creativity and spirituality in her PhD defense earlier today. She has written a dissertation about the music of two 20th-century composers, Arvo Pärt and Ljubica Marić, who have used ancient religious chants in their modern compositions. The relationship between creativity, spirituality, and religion surfaced several times during the disputation. This was particularly because both composers have a spiritual approach to their compositions, while only one (Pärt) is religious. These discussions made me think about how spirituality relates to creativity. I have been interested in creativity for some time but have not considered its relationship to spirituality. Hence, I am writing this blog post to sort my thoughts. ...

Today we submitted the proposal “MishMash - Centre for AI & Creativity” to the Research Council of Norway’s call for Norwegian AI centres. If we get funded, the goal is to create, explore, and reflect on AI for, through, and in creative practices. Preparing this proposal has been a fantastic journey. More than 100 researchers from 16 Norwegian higher education institutions, 4 research institutes, and 3 artistic research centres have partnered with the National Library, the Norwegian Broadcasting Corporation (NRK), the National Museum, and several other museums, institutions, organisations, and industry partners both within and outside of Norway. ...

I have been pondering the term “creativity” lately. Creativity is a term that “everybody” knows but nobody manages to define. Here, I will describe how I came up with my current definition of creativity as the ability to create something novel and meaningful. Defining creativity The American Psychological Association (APA) defines creativity as: the ability to produce or develop original work, theories, techniques, or thoughts. They focus on creation through (new) production or development. It is not only tangible, however, as it can also include theories or thoughts. This resonates with the definition by Cambridge Dictionary): ...

Earlier today I went to the release seminar of a new book on creativity and idea development called Slagkraft - Håndbok i idéutvikling by Erik Lerdahl. In his introduction, Erik Lerdahl stressed the importance of creativity not being something that happens by random, but rather that it is a “muscle” that can be trained. Nice metaphor. What I found most interesting during the seminar was the talk by Ragnar Johansen, the marketing director from Stabburet, a Norwegian food producer. His approach to creativity and design, he told, was very much focused on the business value. His take on the chain from idea to product was like this: ...