My PhD student Cagri Erdem developed a performance together with dancer Katja Henriksen Schia. The piece was first performed together with Qichao Lan and myself during the RITMO opening and also during MusicLab vol. 3. See here for a teaser of the performance:
This week Cagri, Katja and myself performed a version of the piece Vrengt at NIME in Porto Alegre.
We also presented a paper describing the development of the instrument/piece:
This paper describes the process of developing a shared instrument for music–dance performance, with a particular focus on exploring the boundaries between standstill vs motion, and silence vs sound. The piece Vrengt grew from the idea of enabling a true partnership between a musician and a dancer, developing an instrument that would allow for active co-performance. Using a participatory design approach, we worked with sonification as a tool for systematically exploring the dancer’s bodily expressions. The exploration used a “spatiotemporal matrix,” with a particular focus on sonic microinteraction. In the final performance, two Myo armbands were used for capturing muscle activity of the arm and leg of the dancer, together with a wireless headset microphone capturing the sound of breathing. In the paper we reflect on multi-user instrument paradigms, discuss our approach to creating a shared instrument using sonification as a tool for the sound design, and reflect on the performers’ subjective evaluation of the instrument.
Abstract: This chapter looks at some of the principles involved in developing conceptual methods and technological systems concerning sonic microinteraction, a type of interaction with sounds that is generated by bodily motion at a very small scale. I focus on the conceptualization of interactive systems that can exploit the smallest possible micromotion that people are able to both perceive and produce. It is also important that the interaction that is taking place allow for a recursive element via a feedback loop from the sound produced back to the performer producing it.
The last of the four Sverm videos by Lavasir Nordrum hast just been posted on Vimeo. The first short movie was titled Micromovements, then followed Microsounds and Excitation, and the last one is called Resonance. It has been exciting to work with the video medium in addition to the performances, and it has given a very different perspective on the project.
Video artist Lavasir Nordrum hast just posted the third of four short movies created together with the Sverm group. The first short movie was titled Micromovements, and the second was titled Microsounds. This month’s short movie is called Excitation, and is focused on the first half of an even or action. This will be followed by a short movie called Resonance to be released on 1 January.
As I wrote about last month, the Sverm group has teamed up with video artist Lavasir Nordrum. The plan is that he will create four short and poetic videos documenting four of the main topics we have been working on in the Sverm project. The production plan for the videos is quite tight: we shoot content for the videos during a few hours in the middle of each month, and then Lavasir publishes the final video two weeks later. Last month he made the piece Micromovements. This month’s work is entitled Microsounds.
Music researcher. Research musician. RITMO. University of Oslo. NIME. NordicSMC. Open Research. Father.