Transformation a piece where we are using video analysis to control sound selection and spatialisation. We have been developing the setup and piece during the last couple of years, and performed variations of the piece at MIC, the Opera house and at the music academy last year.
The record is for continuously standing motionless.
You must stand: sitting is not allowed.
No facial movements are allowed other then the involuntary blinking of the eye.
Deep breathing is permitted provided it does not involve observable movement notably greater than that in normal breathing.
No rest breaks are allowed at any point during the event.
The venue for such an event should be such that the general public can view.
But from my point of view, being interested in micromovements, I would be very curious to see how still these record holders actually were.
At the ArtsIT conference next month I will present the results of a study on standstill that I have conducted together with Kari Anne Bjerkestrand. I have given a sneak peek of the data earlier, and below is another figure with plots of motion capture data from the study. The plots show data of a marker placed on the neck, from six different 10-minute long standstill recordings of myself and Kari Anne. It is only the vertical position of the marker that is plotted.
From the plots we can see that the running marker displacement was at the scale of only a few millimeters, with a maximum displacement of less than 10mm. It can be argued that this is not much, but it certainly is not absolutely still.
One thing is the quantitative data, another is our subjective experience of standing still. Even though we tried our best to stand physically still, we could easily notice how we were swaying back and forth, doing postural adjustments, etc. Observing the video recordings of ourselves afterwards, it is also possible to see these micromovements through visual inspection only.
Based on these findings, I would be very curious to see how still a person can actually stand, not only measured in hours and minutes, but also in millimeters. So to any aspiring world record breakers: please come and do your next attempt in our lab!
As mentioned previously (here and here), I have been doing some experiments on standing still in silence. One thing is to do it, another is to talk (or write) about it. Then I need to have words describing what I have been doing.
To start with the simple; the word silence seems to be quite clearly defined as the “lack of sound”, and is similar to the Norwegian word stillhet. There is also the broader concept of stille, which, in addition to quiet, also covers metaphorical uses of the term, e.g. calm, but I do not want to get into more trouble by using that word.
Things do not seem to be as simple when talking about the act of standing still. In Norwegian the word stillstand quite literally means “standing still”, and is clearly (and only?) describing the act of not moving. But what is the best English word to describe this? I don’t think the words inactive or immobile cover what I want to describe. So I have for the last few months used the word stillness to describe the act of standing still. However I have recently learned that this would be more of a metaphorical use of the word. For example, Wiktionary defines stillness as
and The Free Dictionary has an even broader definition:
stillness – (poetic) tranquil silence; “the still of the night” hush, still silence, quiet – the absence of sound; “he needed silence in order to sleep”; “the street was quiet” poesy, poetry, verse – literature in metrical form
stillness – a state of no motion or movement; “the utter motionlessness of a marble statue” lifelessness, motionlessness state – the way something is with respect to its main attributes; “the current state of knowledge”; “his state of health”; “in a weak financial state” fixedness, immobility, stationariness – remaining in place
This is also supported by the Oxford dictionary, which suggests that the adjective still means “notmovingormaking a sound”. Thus, stillness seems to be too broad for my needs.
On my search in the different dictionaries I have come to realise that the word standstill might be the obvious solution to my problem. I am mainly used to this word in the context of e.g. cars standing still, but it might work also for describing human standstill. A quick search on Google Scholar mainly reveals medical or engineering papers using the word standstill, but that does not mean that it cannot be used to describe lack of human motion. In fact, searching for “standstill biomechanics” gives more than 1000 hits.
So I think my best solution is to use the words silence and standstill to describe the lack of sound and motion, respectively, and to use stillness when referring to both.
Please let me know if you have other interpretations of these words.
In between organizing a little conference, teaching (MUS2006, MUS2860, MUS4830), and finalizing some publications, I have started a new research/artistic project with Kari Anne Bjerkestrand. I’ll write a lot more on this later, but for now I just wanted to share a plot from a motion capture recording of a single marker placed on my neck (C7). The recording is of me standing still in 10 minutes. Quite a lot of motion for someone standing still… To be continued.
Music researcher. Research musician. RITMO. University of Oslo. NIME. NordicSMC. Open Research. Father.