MusicLab receives Danish P2 Prisen

Yesterday, I was in Copenhagen to receive the Danish Broadcasting Company’s P2 Prisen for “event of the year”. The prize was awarded to MusicLab Copenhagen, a unique “research concert” last October after two years of planning.

The main person behind MusicLab Copenhagen is Simon Høffding, a former postdoc at RITMO, now an associate professor at The University of Southern Denmark. He has collaborated with the world-leading Danish String Quartet for a decade, focusing on understanding more about musical absorption.

Simon and I met up to have a quick discussion about the prize before the ceremony.

The organizers asked if we could do some live data capturing during the prize award ceremony. However, we could not repeat what we did during MusicLab Copenhagen. Then, a team of 20 researchers spent a day setting up before the concert. Instead, I created some real-time video analysis using MGT for Max of the Danish Baroque orchestra. That at least gave some idea about what it is possible to extract from a video recording.

Testing the video visualization during the dress rehearsal.

The prize is a fantastic recognition of a unique event. MusicLab is an innovation project between RITMO and the University Library in Oslo. The aim is to explore how it is possible to carry out Open Research in real-world settings. MusicLab Copenhagen is the largest and most complex MusicLab we have organized to date. In fact, we did one complete concert and one test run of the setup to be sure that everything would work well.

While Simon, Fredrik (from the DSQ), and I were on stage to receive the prize, it should be said that we received it on behalf of many others. Around 20 people from RITMO and many others contributed to the event. Thanks to everyone for making MusicLab Copenhagen a reality!

MusicLab Copenhagen was a huge team effort. Here, many of us gathered in front of Musikhuset in Copenhagen before setting up equipment for the concert in October 2021.

Keynote: Experimenting with Open Research Experiments

Yesterday I gave a keynote lecture at the Munin Conference on Scholarly Publishing in Tromsø. This is an annual conference that gathers librarians, research administrators and publishers, but also some researchers and students. It is my first time to the conference, and found it to be a very diverse, interesting and welcoming group of people.

A poster tweet from the Munin conference team.

Most of the other presenters talked about issues related to publishing academic texts, and with a particular focus on the transition to open access (OA). My presentation was focused on MusicLab, an open research pilot project we are running at the University of Oslo.

MusicLab is a collaboration between RITMO and the University Library, and it is a great example of how cool things can happen when progressive librarians work together with cutting-edge researchers. If you never heard about it before, here is a 42-second introduction to what MusicLab is all about:

Since lots of people talked about Open Science at the conference, I started out by arguing for why I believe that Open Research is a more inclusive term than Open Science. I then went on to identify some of the parts that people think about when talking about Open Research:

Some of the building blocks of an Open Research ecosystem.

As can be seen from the slide above, Open Access (which should probably be called Open Publication instead, since many people mistake it to mean Open Research) is just one part of the whole picture. In the picture above, I am also thinking about these building blocks as being placed on a “timeline” going from left to right, although there may certainly be recursive parts of the model as well.

As a researcher, the publication part is typically happening fairly late in the process, so I always try to remind people that the actual research happens before it is published. For example, the writing process is also something that should be thought of as open process, I think, I mentioned some of my explorations into using various tools for writing Open Manuscripts:

None of these are perfect, however, and for some upcoming projects I am thinking about exploring Authorea and Jupyter Notebook as writing tools. After my talk I also got a recommendation for Bookdown, which I would like to look more at as well (although I have for a long time avoided getting into R, since I am currently investing some time in moving my code from Matlab to Python).

MusicLab

After the fairly long introduction, I finally got to the main point of the talk, which is that of MusicLab. Here are some of the slides from that part:

A MusicLab event is built around a concert, but also typically contains a workshop, panel discussion, data collection, and data jockeying.
Some photos from MusicLab vol. 1, which was focused on muscles, and with a performance by Marco Donnarumma (Photos: Simen Kjellin, UiO).
The MusicLab events are part of a pilot project which is aimed at discovering new ways of doing research, education, and dissemination in open ways.

Challenges

One of the points of MusicLab is to jump in and do something that everyone says is “impossible”… We have of course, have our set of challenges, and particularly related to:

  • Privacy (GDPR)
  • Copyright and licenses
  • Storage
  • Archive

I will write more about all of these later, but here just some slides to summarize some points:

Dividing the people at a MusicLab into three groups, helps when it comes to identifying and solving issues of privacy.
We have not solved the problem of copyright in relation to Open Research yet, but we start to get an overview of all the problems…
Storage is not only about saving files somewhere. They need to be usable as well, ideally right away.
This is the list of files from MusicLab vol. 4, and some of the tools we want to use to analyze them.

We have more challenges than solutions at the moment. But it is good to see that things are moving in the right direction. The dream scenario would be a combination of the multimedia visualization tools from Repovizz combined with the interconnectivity of Trompa, the CC-spirit of Audio Commons, the versioning of GitHub, the accessibility and community of Wikipedia, and the longterm archiving of Zenodo. While that may sound entirely far-fetched right now, it could be a reality with some more interoperability.

I got lots of interesting feedback after my talk. It was particularly interesting to hear several people commenting on the importance of having more people from the arts and humanities involved in discussions about Open Research. I am happy to be one such voice, and hopefully MusicLab can inspire others to push the boundaries for what is currently possible.

If you want to watch the entire thing, it can be found towards the end of this recorded live stream: