PD introductions in Norwegian on YouTube

I am teaching two courses this semester:

In both courses I use Pure Data (PD) for demonstrating various interesting phenomena (additive synthesis, beating, critical bands, etc.), and the students also get various assignments to explore such things themselves. There are several PD introduction videos on YouTube in English, but I found that it could be useful to also have something in Norwegian. So far I have made three screencasts going through the basics of PD and sound synthesis:

MT9 format

Seems like the new MT9 format, or Music 2.0 as the company Audizen calls it, is all over the news these days. The idea is simple, and has been explored for years in the research community: distribute multichannel audio, so that the end user can have control over the single tracks. The problem of course is to make this into a standard, and I see many challenges in how this could be implemented:

  • How should the division of sounds be?
  • Should every track be totally independent of the others, or would there be room for leakage between tracks (e.g. reverberation).
  • Is it intended for 2 channel tracks only. How would they handle panning/spatialisation and multichannel tracks?

It would be interesting to read the specification of the format to see how they are going to approach this. Anyway, it is great to see these things approach the mass market! I am quite sure we will see lots of such “active music” approaches in the years to come.

MT9-player-850-100.jpg

OLPC Sound Samples

I am doing some “house-cleaning” on my computer, and came across the link to the OLPC Sound Samples which were announced last month. This collection covers a lot of different sounds, ranging from the Berklee samples to sets created by people in the CSound community. Obviously, not all the 10GB is equally interesting, but the initiative is excellent, and along with the Freesound project, it makes a great resource for various projects.

David Huron: Listening Styles and Listening Strategies

In a presentation at the Society for Music Theory 2002 Conference, 2002, David Huron proposed 21 listening modes:

  1. Distracted listening
  2. Tangential listening
  3. Metaphysical listening
  4. Signal listening
  5. Sing-along listening
  6. Lyric listening
  7. Programmatic listening
  8. Allusive listening
  9. Reminiscent listening
  10. Identity listening
  11. Retentive listening
  12. Fault listening
  13. Feature listening
  14. Innovation listening
  15. Memory scan listening
  16. Directed listening
  17. Distance listening
  18. Ecstatic listening
  19. Emotional listening
  20. Kinesthetic listening
  21. Performance listening

and he concludes: “This list is not intended to be exhaustive.”

Recordings in Casa Paganini

The location of the EyesWeb Week is the facilities of the DIST group in the beautiful Casa Paganina, including a large auditorium next to the laboratories. This allows for an ecological setting for experiments, since performers can actually perform on a real stage with real audience. I wish we could have something like this in Oslo!

Here a picture from an experimental setup where we are looking at the synchronisation between the musicians in a string trio.

casa-paganini.jpg